![]() "What Psycho says is, 'The status quo is toxic. "It's not this foreign outsider that's coming in to wreak havoc and upset the very pleasant status quo. ![]() "It's not Bela Lugosi," Ms Heller-Nicholas says, referring to the accented Hungarian-American who played Dracula in 1931. In this way, it began a social-political shift in scary movies: suddenly, the danger came not from an "other" - a monster or ghoul - but from the supposedly safe domestic sphere. That was unheard of in mainstream cinema. It made fear relatable, brought it into our most intimate spaces. Psycho didn't just change cinema-going or perceptions of what was obscene. "By widening the definitions, Psycho and the shower scene began it all." Bringing the fear home Within a few years, Baxter said, film festivals were exempted from censorship, then members-only cinemas, and finally all cinemas. ![]() I don’t think the religious side of the Jesuit education impressed itself so much upon me as the strict discipline. He said: My Catholic upbringing taught me organization, control, and to some degree analysis. "In Australia, critics were soon placing the censors under sustained attack," Baxter writes in Philip J Skerry's Psycho In The Shower: A History of Cinema's Most Famous Scene. Hitchcock was grateful for his Catholic education, but claimed that he had bucked the fear and guilt that came with the religion.
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